Toy Story 3: An IMAX 3D Experience
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Toy Story 3 Released In UK Today

After refraining from watching any trailers, searching for pre-renders and taking a hiatus from following Lee Unkrich on twitter I can only presume that Toy Story 3 will be the must see film of the year and will be booking IMAX 3D tickets as soon as possible.

The Art Of Toy Story 3
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The Art of Toy Story 3
by Charles Solomon

A new book in Pixar’s excellent ‘art of’ series is now availiable to order.

Own Avatar On Blu-ray Now!
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Avatar
Dir: James Cameron

How To Train Your Dragon In UK Cinemas
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Dreamworks new animated feature film How To Train Your Dragon is out in UK cinemas today and will be available to watch in IMAX 3-D

Watch The How To Train Your Dragon Trailer in full Quicktime HD 1080

Should be a great one as it is currently getting some fantastic reviews.
IMDB currently 8.3/10! Rotten Tomatoes currently 97%!

Behind-the-scenes of How To Train Your Dragon on Making of.com (above)

Animation Mentor graduate Mike Stern worked on the film.
You can Follow Him Here On Twitter

Wee Brian who was one of the three animators on Aardman’s The Deadline also worked as an Animator.

Interesting Production Videos collated on the CGsociety Forums.

Animation World Network interview with Directors Chris Sanders and Dean DeBlois, also includes interview with Head of Character Animation Simon Otto entitled DreamWorks Unleashes the Dragons 

Art Of How To Train Your Dragon Book
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Art Of How To Train Your Dragon
by Tracey Miller-Zarneke


Art Of How To Train Your Dragon Example Page

Avatar Blu-ray UK Release Date
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Avatar Blu-ray
Dir: James Cameron

It has been confirmed today that Avatar will be released on Blu-ray and DVD in the UK on April 26th 2010. As yet there is no word of a release date for the 3-D version of the film which will probably be announced when 3-D technology becomes mainstream and more affordable in the home, so it could be a while yet.

Animating For District 9 by Robert Kuczera
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Senior Animator Robert Kuczera has just sent me an e-mail asking if I would post a link to an interview with CG Heute entitled Robert Kuczera – Animieren Fur District 9 detailing the work he did on District 9 while at The Embassy in Vancouver. How could I refuse! The interview was originally written in German so the Google translation is a little ropey in places although it is easy to follow.

Robert’s extensive body of work, which can be seen on his website includes animation for adverts and films such as Comfort Creme and Harry Potter and the Prisoner of Azkaban while working at various effects studios including The Mill and Framestore CFC.  He is also known for his 9 minute short CGI film Dragon Slayer

UP Blu-ray UK Release
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UP
Dir: Pete Docter

Pixar’s latest film Up is released on Blu-ray today in the UK. I was looking forward to seeing this as I missed it at the cinema. Written and directed by Monsters Inc. director and veteran Toy Story animator Pete Docter Also includes Pixar’s latest animated short Partly Cloudy

An interesting section in the making of documentary, describes how the story department fleshed out Carl and Ellie’s developing relationship. One idea shows them trading ’punches’ throughout the years to gain one-upmanship over each other! The idea was unsurprisingly discarded as the ‘cross your heart’ concept was deemed more prominent. It just shows that Pixar develop their stories to the full, exploring every possible avenue, while going through many rewrites before deciding on the final draft.

Avatar IMAX 3-D
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Just got round to seeing Avatar in IMAX 3-D. Instantly, from the very first scene, you know that you are about to witness something special. The film is visually stunning and James Cameron utilises the 3-D effect brilliantly, using depth to the fullest without overly pushing the effect out of the screen. Some 3-D films try to exaggerate the effect unnecessarily, which causes image separation and is therefore hard for your eyes to adjust. The camera technology in this film is so good that your eyes don’t have to over compensate and the large polarising glasses retain the vibrant colours of the 2D version.

The 3-D in Avatar is most effective and not surprisingly so, with scenes that have obvious depth, such as the sleeping pod room, the AMP suit hanger, the briefing room full of RDA soldiers or scenes high in the huge Home Tree, looking down to the distant jungle floor of Pandora below. The projected 1.78:1 image, which almost fills the huge 65ft x 48 ft IMAX screen, assists the 3-D effect so much so that it sometimes gives you the feeling of vertigo. The sheer size of the screen transports you into the lush alien world and seems to connect the audience more emotionally with the characters.

One slight disappointment however was that, as IMAX is still projected from 70mm film (as opposed to being entirely digital) the orientation of the film running through the projector still produces a certain amount of blurring and strobing when there is a lot of fast motion on the screen. To help compensate for this, the 3-D separation is purposely held back by the compositors on certain action scenes, resulting in a less exaggerated effect, which seems to be more pleasing to watch.

Is 3-D the future of cinema? Well for now it seems to be looking that way, especially on the IMAX screens, currently drawing audiences back with record breaking box office figures BoxOfficeMojo.com. If only the technology existed where IMAX 3-D was entirely digital and without the glasses. I think Avatars’ success though, is not only down to the new (ish) 3-D technology, but word of mouth about the breathtaking CG and quality of the performance capture, with some people even going back to see the film several times. The release of Avatar will hopefully push the technology along at a faster pace and we should start seeing quality non anaglyph 3-D in our homes sooner than expected.

Although the story may have been told many times before and there are obviously influences from James Cameron’s other films, as it turns out, the film proves that this is definitely not a bad thing at all.

Coraline: New Stop Motion Feature Film
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Screenshot from the film.

Featurette on YouTube. Download 640×360 version


Behind the Scenes with more making of images and videos

Currently in post production is the new stop-motion film Coraline produced by Laika Entertainment (The name Laika incidentally, was named after the Russian cosmonaut dog) The film is written and directed by Henry Selick using his unique vision and style as with his other great movies The Nightmare Before Christmas and James and the Giant Peach

Coraline is adapted from the novel by Neil Gaiman and follows the story of a curious young girl who unlocks a secret door in her family’s new home and discovers a more exciting alternate version of her life. Although it seems better at first, she must eventually have to return home and save her family.

Some people are saying “Why not do it in CG as it looks so refined?” Well my answer would be that we are seeing a different art form. We know the stop motion puppets and sets are ‘real’ and the suspension of belief is heightened. As the viewer, we are constantly reminded and drawn back to that fact throughout the film.

The film is due for a cinema release in the US on 6th February 2009 and on 8th May 2009 in UK.

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