Animating For District 9 by Robert Kuczera
Posted at 12:46 pm | No Comments

Senior Animator Robert Kuczera has just sent me an e-mail asking if I would post a link to an interview with CG Heute entitled Robert Kuczera – Animieren Fur District 9 detailing the work he did on District 9 while at The Embassy in Vancouver. How could I refuse! The interview was originally written in German so the Google translation is a little ropey in places although it is easy to follow.

Robert’s extensive body of work, which can be seen on his website includes animation for adverts and films such as Comfort Creme and Harry Potter and the Prisoner of Azkaban while working at various effects studios including The Mill and Framestore CFC.  He is also known for his 9 minute short CGI film Dragon Slayer

UP Blu-Ray UK Release
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UP
Dir: Pete Docter

Pixar’s latest film Up is released on Blu-Ray today in the UK. I was looking forward to seeing this as I missed it at the cinema. Written and directed by Monsters Inc. director and veteran Toy Story animator Pete Docter

An interesting section in the making of documentary, describes how the story department fleshed out Carl and Ellie’s developing relationship. One idea shows them trading ’punches’ throughout the years to gain one-upmanship over each other! The idea was unsurprisingly discarded as the ‘cross your heart’ concept was deemed more prominent. It just shows that Pixar develop their stories to the full, exploring every possible avenue, while going through many rewrites before deciding on the final draft.

Avatar IMAX 3-D
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Just got round to seeing Avatar in IMAX 3-D. Instantly, from the very first scene, you know that you are about to witness something special. The film is visually stunning and James Cameron utilises the 3-D effect brilliantly, using depth to the fullest without overly pushing the effect out of the screen. Some 3-D films try to exaggerate the effect unnecessarily, which causes image separation and is therefore hard for your eyes to adjust. The camera technology in this film is so good that your eyes don’t have to over compensate and the large polarising glasses retain the vibrant colours of the 2D version.

The 3-D in Avatar is most effective and not surprisingly so, with scenes that have obvious depth, such as the sleeping pod room, the AMP suit hanger, the briefing room full of RDA soldiers or scenes high in the huge Home Tree, looking down to the distant jungle floor of Pandora below. The projected 1.78:1 image, which almost fills the huge 65ft x 48 ft IMAX screen, assists the 3-D effect so much so that it sometimes gives you the feeling of vertigo. The sheer size of the screen transports you into the lush alien world and seems to connect the audience more emotionally with the characters.

One slight disappointment however was that, as IMAX is still projected from 70mm film (as opposed to being entirely digital) the orientation of the film running through the projector still produces a certain amount of blurring and strobing when there is a lot of fast motion on the screen. To help compensate for this, the 3-D separation is purposely held back by the compositors on certain action scenes, resulting in a less exaggerated effect, which seems to be more pleasing to watch.

Is 3-D the future of cinema? Well for now it seems to be looking that way, especially on the IMAX screens, currently drawing audiences back with record breaking box office figures BoxOfficeMojo.com. If only the technology existed where IMAX 3-D was entirely digital and without the glasses. I think Avatars’ success though, is not only down to the new (ish) 3-D technology, but word of mouth about the breathtaking CG and quality of the performance capture, with some people even going back to see the film several times. The release of Avatar will hopefully push the technology along at a faster pace and we should start seeing quality non anaglyph 3-D in our homes sooner than expected.

Although the story may have been told many times before and there are obviously influences from James Cameron’s other films, as it turns out, the film proves that this is definitely not a bad thing at all.

Coraline: New Stop Motion Feature Film
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Screenshot from the film.

Featurette on YouTube. Download 640×360 version


Behind the Scenes with more making of images and videos

Currently in post production is the new stop-motion film Coraline produced by Laika Entertainment (The name Laika incidentally, was named after the Russian cosmonaut dog) The film is written and directed by Henry Selick using his unique vision and style as with his other great movies The Nightmare Before Christmas and James and the Giant Peach

Coraline is adapted from the novel by Neil Gaiman and follows the story of a curious young girl who unlocks a secret door in her family’s new home and discovers a more exciting alternate version of her life. Although it seems better at first, she must eventually have to return home and save her family.

Some people are saying “Why not do it in CG as it looks so refined?” Well my answer would be that we are seeing a different art form. We know the stop motion puppets and sets are ‘real’ and the suspension of belief is heightened. As the viewer, we are constantly reminded and drawn back to that fact throughout the film.

The film is due for a cinema release in the US on 6th February 2009 and on 8th May 2009 in UK.

The Tale of Despereaux Trailer
Posted at 4:16 pm | 1 Comment


Screenshot From The Tale of Despereaux


Screenshot From The Film


Artwork From The Film

(Above) Low-Res YouTube Trailer. Download HD Trailer here

The Tale of Despereaux is adapted from the children’s book by American author Kate DiCamillo and is the first sole film project for the Framestore-CFC Feature Animation Division.

What first strikes you about the trailer is the cinematography and lighting. Although stylistically different to Pixar’s Ratatouille, it looks simply stunning with beautiful environment and character textures created in part by artist and CG Society moderator Leigh van der Byl

The original childrens story book is available from Amazon.


The Tale of Despereaux
by Kate DiCamillo
Illustrated by Timothy Basil Ering

WALL.E Released In Cinemas Today
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Poster For Pixar’s Film WALL.E


Screenshot From For Pixar’s Short Film Presto

Pixar’s latest feature film WALL.E is released in cinemas today.

I was a little sceptical when the teaser trailer was first released, although as it turns out, I thoroughly enjoyed it. Oh except for Pixar’s first Nuke The Fridge moment. My jaw hit the floor as cheesy live action (yes, live action) was used to portray the utopian humans aboard the Axiom, very out of character for Pixar. The reasoning behind this is that Andrew Stanton wanted the humans to be in keeping with the Hello Dolly sequence.

As always, Pixar screened their latest animated short before the main film, entitled Presto which as it turns out, is one of the funniest shorts Pixar has created.

Interesting CG Society article on WALL.E entitled The Little Robot That Could covering Pixar’s CG character creation and modeling methods. There’s also an article covering Presto entitled Chaos Theory Behind Pixar’s Presto

Click Here to watch the WALL.E HD 1080p Quicktime Trailers.

The entire WALL.E script is available to download in .pdf format here

Pixar The Art of WALL.E Book
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The Art of Wall.E
by Tim Hauser


Example Page Scan From The Art of Wall.E

The ‘Art of’ series of Pixar books should be on every 3D Artists/Animators bookshelf.

Many examples of pre-production sketches, maquette sculpts, animation thumbnails, digital paintings and digital renders are included. The book also contains development insights from some of the artists and animators at Pixar.

New Images of Pixar’s UP
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New Logo from Pixar’s film UP


Concept & Render Comparison

Original Images here and here

UP is directed by Monsters Inc. director Pete Docter
The film is due for release on 17th July 2009 (UK) in Disney Digital 3-D

Pixar Cars & One Man Band
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Poster For Pixar’s Animated Feature Cars

Finally seen Pixar’s latest film Cars, directed by John Lassetter, in fantastic digital format at The Light Vue Cinema. After the initial disappointment of the first teaser trailer, I am pleased to say that Pixar have come up with the goods yet again. Oh, apart from the exception of Jeremy Clarkson as the voice of Lightning McQueen’s agent. I wish directors wouldn’t insist on using localised celebrity voice talent for each country. It instantly shatters the illusion. I’ll definitely be buying the original US version of the DVD. Look out for the hilarious tractor tipping scene and the equally superb end credits.


Screenshot From The Short Film One Man Band

As a bonus, the new short film One Man Band written and directed by Andrew Jimenez and Mark Andrews was also shown before the main film. The film has a beautiful European style, somewhat of a departure for Pixar and has a nice simple storyline with well developed characters.

Cars CG Society Article
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CG Society’s Road Trip Article


Wireframe, Diffuse and Occlusion/Reflection Render Layers From Cars

Click Here to view the CG Society article detailing Pixar’s Production Focus on Cars

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