Animating For District 9 by Robert Kuczera
Posted at 12:46 pm | No Comments

Senior Animator Robert Kuczera has just sent me an e-mail asking if I would post a link to an interview with CG Heute entitled Robert Kuczera – Animieren Fur District 9 detailing the work he did on District 9 while at The Embassy in Vancouver. How could I refuse! The interview was originally written in German so the Google translation is a little ropey in places although it is easy to follow.

Robert’s extensive body of work, which can be seen on his website includes animation for adverts and films such as Comfort Creme and Harry Potter and the Prisoner of Azkaban, while working at various effects studios including The Mill and Framestore CFC.  He is also known for his 9 minute short CGI film Dragon Slayer

District 9 deserved at least one Oscar, as I thought it was a better film than The Hurt Locker both in the acting, originality and story telling.

Oscars Animated Short Winner and Nominees
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WINNER: Logorama

 

Nominee: French Roast

 

Nominee: Granny O’Grimm’s Sleeping Beauty

 

Nominee: La dama y la muerte (The Lady and The Reaper)

 

Nominee: Wallace and Gromit in A Matter of Loaf and Death

 

It’s no surprise that Pixar’s UP won Best Animated Feature at the Oscars, but there isn’t usually a great deal of fuss around the Best Animated Shorts. Here are the 4 nominees and overall winner. Although Logorama is very clever, after the initial novelty of seeing the world made out of corporate logos, the story doesn’t grab you as much as it could have and consequently the story could have been shorter. I thought A Matter of Loaf and Death should have won and there was unfortunately no sign of Alma which is one of the best short films of the year. It must have been overlooked by the voting panel and should have at least been given a nomination.

UP Blu-Ray UK Release
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UP
Dir: Pete Docter

Pixar’s latest film Up is released on Blu-Ray today in the UK. I was looking forward to seeing this as I missed it at the cinema. Written and directed by Monsters Inc. director and veteran Toy Story animator Pete Docter

An interesting section in the making of documentary, describes how the story department fleshed out Carl and Ellie’s developing relationship. One idea shows them trading ’punches’ throughout the years to gain one-upmanship over each other! The idea was unsurprisingly discarded as the ‘cross your heart’ concept was deemed more prominent. It just shows that Pixar develop their stories to the full, exploring every possible avenue, while going through many rewrites before deciding on the final draft.

BBC Titles: Vancouver 2010 Winter Olympics
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Main Title Sequence For The BBC by StudioAKA

The BBC are currently running the main title sequence to accompany coverage of the 2010 Winter Olympics in Vancouver

Overseeing the project was Marc Craste an animation director I have admired for a long time, whose previous work includes the Lloyds Bank ‘For The Journey’ adverts. Jon Klassen was brought in as co-designer to help Studio AKA create the overall style.

The short story tells the tale of an Inuit who is faced with various Olympic challenges while having to retrieve a head stone, taken by a great bear from the inukshuk totem statue called Ilanaaq or ‘friend’, the emblem of the Winter Games. 

The infectious music is from Cry Me A River by Vancouver’s Michael Buble

Avatar IMAX 3-D
Posted at 5:35 pm | 2 Comments

Just got round to seeing Avatar in IMAX 3-D. Instantly, from the very first scene, you know that you are about to witness something special. The film is visually stunning and James Cameron utilises the 3-D effect brilliantly, using depth to the fullest without overly pushing the effect out of the screen. Some 3-D films try to exaggerate the effect unnecessarily, which causes image separation and is therefore hard for your eyes to adjust. The camera technology in this film is so good that your eyes don’t have to over compensate and the large polarising glasses retain the vibrant colours of the 2D version.

The 3-D in Avatar is most effective and not surprisingly so, with scenes that have obvious depth, such as the sleeping pod room, the AMP suit hanger, the briefing room full of RDA soldiers or scenes high in the huge Home Tree, looking down to the distant jungle floor of Pandora below. The projected 1.78:1 image, which almost fills the huge 65ft x 48 ft IMAX screen, assists the 3-D effect so much so that it sometimes gives you the feeling of vertigo. The sheer size of the screen transports you into the lush alien world and seems to connect the audience more emotionally with the characters.

One slight disappointment however was that, as IMAX is still projected from 70mm film (as opposed to being entirely digital) the orientation of the film running through the projector still produces a certain amount of blurring and strobing when there is a lot of fast motion on the screen. To help compensate for this, the 3-D separation is purposely held back by the compositors on certain action scenes, resulting in a less exaggerated effect, which seems to be more pleasing to watch.

Is 3-D the future of cinema? Well for now it seems to be looking that way, especially on the IMAX screens, currently drawing audiences back with record breaking box office figures BoxOfficeMojo.com. If only the technology existed where IMAX 3-D was entirely digital and without the glasses. I think Avatars’ success though, is not only down to the new (ish) 3-D technology, but word of mouth about the breathtaking CG and quality of the performance capture, with some people even going back to see the film several times. The release of Avatar will hopefully push the technology along at a faster pace and we should start seeing quality non anaglyph 3-D in our homes sooner than expected.

Although the story may have been told many times before and there are obviously influences from James Cameron’s other films, as it turns out, the film proves that this is definitely not a bad thing at all.

District 9 Blu-Ray Release
Posted at 5:16 pm | 1 Comment


District 9
Dir: Neill Blomkamp

Released on Blu-Ray today in the UK. Believe the reviews, District 9 employs some groundbreaking film making from first time feature director Neill Blomkamp Behind the scenes info District 9: Making Of

The Gruffalo: Christmas Day BBC One
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The Gruffalo YouTube Trailer

The Gruffalo was created by Studio Soi and Magic Light Pictures for the BBC. The short 30 minute animated film combines both CGI and Stop-Motion techniques to create a stylistic look which is faithful to the original book

Here’s a great interview with Axel Scheffler as he talks through his initial Gruffalo book illustrations.

If you don’t manage to catch it on Christmas Day, the DVD is available now.

The Gruffalo DVD
Dir: Jakob Schuh & Max Lang
Voice Cast: James Corden, Rob Brydon, Robbie Coltrane

Gore Zoid 3D Animation Now In HD
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Gore Zoid 3D Animation in HD on Vimeo

The animation was rendered to a HD tga sequence at a resolution of 1280×720. This was then output to an uncompressed Quicktime file which came in at a whopping 2.64GB! It was then converted for upload to the excellent Vimeo site through the Quicktime Pro Player using H.264 6000kbps video compression and AAC 44.1kHz 320kbps for the audio. This came in at a more respectible 46.3MB whilst retaining the best quality currently available for a compressed video.


Original image – Compressed H.264 with gamma bug – After correction

To get around the H.264 lightness gamma bug, open the uncompressed source movie in Quicktime and click through to Window > Show Movie Properties > Video Track > Visual Settings and set Transparency to Straight Alpha. Save this as a self-contained movie. This should now be fixed when compressing to H.264

For anyone who has experienced the following Quicktime compression problem… ’Error -43: a file could not be found’, save the new compressed file to your C: drive instead of any other drive letter, as the player doesn’t seem to like it.

District 9: Making Of
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Screenshot of the Exo-suit from District 9

Visual effects were handled by the established Weta Digital (Lord of the Rings, King Kong) in New Zealand, The Embassy (Citroen Transformers, Ghostbusters) and new fx house Image Engine also based in Vancouver. Two interesting VFX World interviews with Blomkamp entitled Neill Blomkamp Talks District 9 & District 9: Bringing Back ’80s Sci-Fi. Visual FX supervisor Dan Kaufman profiled on CGsociety for his work on District 9.

The Embassy District 9 CG Society article detailing CG techniques employed to create the alien’s Exo-suit using Luxology’s Modo The article also mentions that Zbrush, Softimage XSI and Apple Shake were used to complete shots.

Two more interesting CGSociety interviews with Image Engine.
District 9 Part 01 Meet the crew and find out how they worked.
District 9 Part 02 Texturing and Lighting.

District 9 HD Trailer: Neill Blomkamp
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District 9 Trailer 2 directed by Neill Blomkamp

Visit Apple Quicktime site to watch the trailer in HD

District 9 is the feature film follow up to the award winning 2005 short documentry film entitled Alive In Joberg. The film is directed by former vfx artist and VFS graduate Neill Blomkamp and is produced by Peter Jackson. District 9 was developed after the collapse of the feature film version of the video game Halo which the duo were also collaborating on. The only footage released is a short cut of the Halo film.

Blomkamp also directed the Citroen Transformers ad in accossiation with his former fx company The Embassy in Vancouver, the human substitution shorts Tempbot and Tetra Vaal and the Yellow Adidas commercial which further developes his distinctive style.

District 9 is released in UK cinemas on 4th September 2009

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